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With time, these alien influences seeped into Indian culture and created that layered and often contradictory result that is now presented as Indian culture – with an increasing emphasis on the non-Vedic concepts.Documentaries on India circulated on the national and international market, often financed by anti-Hindu sponsors, minimize or ignore the glories of Vedic society and knowledge, to favor a “nawab and kebab” image that is identified with “ancient glory”.Of course the general ignorance of the masses is compounded by the circulation of some questionable publications produced during the middle ages by unscrupulous courtiers of the Muslim sultans that dominated India, and that were actually meant only as mere sex manuals, illustrated in Persian and Mogul style, to feed the lusty fantasies of their masters, bored with the “normal intercourse” with their hundreds of wives and concubines locked up in a harem.Those lusty catalogues of sexual positions (most of which are not even mentioned in the original Kama sutras themselves) were also circulated in the milieux of western intellectuals in the early times of European colonialism, and this in turn contributed to the prejudiced frame of mind by which the colonial missionaries and administrators criticized the “heathen immorality” of the Hindus.

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So we can safely say that human life starts when one asks about its meaning and purpose, and becomes engaged in the process of evolution.Many people have heard about the Kama sutra, but generally the ideas that circulate are rather distorted, vague and confused by ignorance and prejudice.Such prejudice is mostly due to the cultural superimposition of layers of prude bigotry and self-righteous moralism brought by iconoclastic Islamic dominators frist and by Victorian British Christians later.Enforced by the abrahamic invaders, the wholesale condemnation of the intrinsic beauty and joy of the natural form and activities of the body, effectively destroyed the Vedic expressions of beauty and joy, or covered them with the thick plaster of shame.And that’s not simply a manner of speaking: the plaster physically obliterated many artistic masterpieces of sculpture, as for example those that used to decorate the temple of Jagannatha at Puri.

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